1 00:00:21,654 --> 00:00:24,179 I have a great debt with the city of São Paulo... 2 00:00:24,391 --> 00:00:26,916 and, for example, it's absurd... 3 00:00:27,093 --> 00:00:29,823 how much people like ''Ronda''. But they like it. 4 00:00:30,130 --> 00:00:31,995 And I owe it to this city. 5 00:00:32,198 --> 00:00:35,361 So now that I'm reaching my 80s... 6 00:00:35,568 --> 00:00:38,594 now that I can't see much in the future for me... 7 00:00:38,738 --> 00:00:41,298 I want to leave a testimony, an anthology... 8 00:00:41,474 --> 00:00:45,706 of what is my artistic debt with the city of São Paulo. 9 00:00:46,179 --> 00:00:49,615 So this project, to me has a lot in that sense... 10 00:00:49,849 --> 00:00:52,340 of love for the city... 11 00:00:52,786 --> 00:00:54,686 for the city and for the people. 12 00:00:54,921 --> 00:00:56,684 The people, individually speaking I'm not very found of... 13 00:00:56,890 --> 00:00:58,915 but I really like the people in general. 14 00:01:22,315 --> 00:01:25,250 A MAN OF MORALE 15 00:04:06,913 --> 00:04:10,542 At night I walk through the city 16 00:04:11,017 --> 00:04:14,646 Looking for you, without finding 17 00:04:15,355 --> 00:04:20,349 Between glances, I spy In all of the bars 18 00:04:21,327 --> 00:04:24,057 But you are not there 19 00:04:24,297 --> 00:04:31,999 I get back home depressed With disillusions of life 20 00:04:32,705 --> 00:04:39,372 Dreams give me happiness It's there that you are 21 00:04:42,048 --> 00:04:46,212 If I had someone who wanted me well 22 00:04:46,552 --> 00:04:53,651 This someone would tell me Give up, this search is hopeless 23 00:04:53,926 --> 00:04:57,453 And I wouldn't give up 24 00:04:59,265 --> 00:05:03,702 However, with perfect patience 25 00:05:04,037 --> 00:05:08,201 I return looking for you And now I will find 26 00:05:08,474 --> 00:05:12,205 Drinking with other women 27 00:05:12,412 --> 00:05:17,475 Rolling dice And shooting pool 28 00:05:18,017 --> 00:05:26,356 And so, on this day The front news will show 29 00:05:27,260 --> 00:05:38,262 A bloody scene in a bar Of Av. São João 30 00:05:55,221 --> 00:05:59,419 I wrote ''Ronda'' when I was at the army, in 1945. 31 00:05:59,992 --> 00:06:06,329 Because we were from the cavalry, and the cavalry at that time... 32 00:06:06,566 --> 00:06:08,966 used to function as the military police. 33 00:06:09,168 --> 00:06:11,568 So we used to patrol the low whorehouse region... 34 00:06:11,771 --> 00:06:14,137 twice or three times a week. 35 00:06:14,340 --> 00:06:16,604 And it's funny, because I didn't see this once... 36 00:06:16,809 --> 00:06:21,940 a woman coming up to a bar likeshe's looking for someone and then leave. 37 00:06:22,315 --> 00:06:25,148 Karaoke never fails... 38 00:06:25,351 --> 00:06:28,343 A Japanese that's being cheated on goes to the karaoke to sing ''Ronda''. 39 00:06:29,188 --> 00:06:32,123 And if you ask Ana to show you... 40 00:06:32,492 --> 00:06:36,428 people in bars ask for music in the napkins. 41 00:06:36,629 --> 00:06:40,725 So she keeps the requests in a brown paper bag... 42 00:06:40,933 --> 00:06:42,992 and brings it home. 43 00:06:43,202 --> 00:06:46,035 There areso many ''Ronda'' written with an 'H'! 44 00:06:47,740 --> 00:06:50,300 There's more ''Ronda'' written with an 'H' than with an 'R'! 45 00:06:54,514 --> 00:06:58,211 TRIBUTE TO PAULO VANZOLINI SESC VILA MARIANA - SAO PAULO 46 00:07:06,025 --> 00:07:07,549 I never made music professionally. 47 00:07:07,760 --> 00:07:10,228 I didn't know how many sambas I had. 48 00:07:10,463 --> 00:07:14,490 The editing of my music was never made by me. 49 00:07:14,700 --> 00:07:18,363 It was Marcus Pereiraand Paraná that wanted to record the musics. 50 00:07:18,571 --> 00:07:21,404 They edited and made a lot of foolishness... 51 00:07:21,641 --> 00:07:23,836 but I never wanted to waste my time doing that... 52 00:07:24,010 --> 00:07:26,308 because I never considered it to be my profession. 53 00:07:27,346 --> 00:07:31,942 Vanzolini is ascientist, and his working area is Herpetology... 54 00:07:32,151 --> 00:07:35,780 which is the Zoology field that studies reptiles and amphibious. 55 00:07:36,022 --> 00:07:37,683 I met him when I was still a kid. 56 00:07:37,890 --> 00:07:41,348 It was in the early 60s at the Jupiá power plant at the Paraná river. 57 00:07:41,761 --> 00:07:44,093 My father, with whom I stand in this picture... 58 00:07:44,263 --> 00:07:45,890 was the construction director... 59 00:07:46,065 --> 00:07:48,966 and Vanzolini made the environmental studies of the plant. 60 00:07:51,971 --> 00:07:55,065 Two people waked in thisstory. One was Luís Saia... 61 00:07:55,408 --> 00:07:58,536 who was an architect from São Paulo that, in the military days... 62 00:07:58,711 --> 00:08:00,702 was specialized moving the persecuted individuals... 63 00:08:00,880 --> 00:08:03,872 to Paraguay and vice-versa. Chileans... 64 00:08:04,016 --> 00:08:07,281 A lot of Chileans went to Europe, went to Paris through Brazil... 65 00:08:07,453 --> 00:08:12,117 moved by Luís Saia. And since it was easy for me to travel... 66 00:08:12,325 --> 00:08:14,623 due to the museum, sometimes I helped him out. 67 00:08:14,794 --> 00:08:16,659 I wasn't important or anything... 68 00:08:16,796 --> 00:08:19,856 but I had afriend called Antonio Carlos Xandó... 69 00:08:19,999 --> 00:08:23,992 which was a tax fiscal, and he was crazy about music from the countryside... 70 00:08:24,170 --> 00:08:26,900 so he was fishing at the Paraná river and he told me: 71 00:08:27,106 --> 00:08:30,405 ''the boat man that passes around here, called Nhô Augustão...'' 72 00:08:30,610 --> 00:08:32,544 ''knows a beautiful song.'' 73 00:08:34,313 --> 00:08:36,577 Xandó was a people's man like any other. 74 00:08:36,749 --> 00:08:38,410 It wasn't Augustão who made thesong... 75 00:08:38,618 --> 00:08:40,609 he learned fromsomebody and taught Xandó. 76 00:08:40,786 --> 00:08:43,016 And I received it just as Xandó had received it. 77 00:08:43,189 --> 00:08:45,157 But it wasn't... 78 00:08:45,358 --> 00:08:46,723 You know... 79 00:08:46,926 --> 00:08:50,453 -But you created part of it... -Yes, we had to complete it. 80 00:08:50,763 --> 00:08:53,891 How does it go? What's yours and what's not? 81 00:08:54,567 --> 00:08:57,195 The first verse is not mine, the other two are. 82 00:08:58,204 --> 00:09:08,512 I came to the edge of the harbor Where waves spread out 83 00:09:11,083 --> 00:09:21,084 The herons make their turn And sit at the beaches 84 00:09:22,795 --> 00:09:26,231 CUITELINHO - HUMMINGBIRD FOR COUNTRYMEN And the hummingbird don't like 85 00:09:29,502 --> 00:09:36,305 That the rose button falls 86 00:09:37,877 --> 00:09:47,309 When I came from my home I said goodbye to my relatives 87 00:09:50,623 --> 00:10:00,863 I came in to Mato Grosso And fell in Paraguayan lands 88 00:10:02,168 --> 00:10:15,673 There was a revolution there And I fought great battles 89 00:10:17,650 --> 00:10:27,651 Missing you cuts me Like asteel razor's edge 90 00:10:30,396 --> 00:10:40,101 The heart stays afflicted Beats once, the next beat it fails 91 00:10:41,841 --> 00:10:54,345 Eyes get filled with tears Confusing my sight 92 00:11:33,659 --> 00:11:44,228 Missing you cuts me Like asteel razor's edge 93 00:11:46,872 --> 00:11:56,975 The heart stays afflicted Beats once, the next beat it fails 94 00:11:57,950 --> 00:12:12,889 Eyes get filled with tears Confusing my sight 95 00:12:30,983 --> 00:12:34,646 Paulo Emílio Vanzolini was born in São Paulo in 1924. 96 00:12:34,954 --> 00:12:38,355 Graduated in Med School at the University of São Paulo. 97 00:12:38,591 --> 00:12:41,583 Doctored in Biology at the Harvard University. 98 00:12:43,562 --> 00:12:45,757 Vanzolini worked at the Zoology museum... 99 00:12:45,965 --> 00:12:48,399 of the University of São Paulo for over fifty years... 100 00:12:48,601 --> 00:12:52,332 and was President of this museum from 1962 to 1993. 101 00:12:53,439 --> 00:12:55,031 When I started working at the museum... I was asingle man, 102 00:12:55,207 --> 00:12:57,266 living in my dad's house... At street Atlãntica. 103 00:12:57,476 --> 00:12:59,944 So I used to catch the 'Jardim Paulistano' streetcar... 104 00:13:00,179 --> 00:13:02,044 at the corner of street Atlãntica with Av. Brasil... 105 00:13:02,248 --> 00:13:04,716 and went all the way up to 'Largo do Piques'... 106 00:13:04,917 --> 00:13:07,249 that I don't know why they call 'Praça da Bandeira' today. 107 00:13:07,486 --> 00:13:09,386 And from there I walked to... 108 00:13:09,622 --> 00:13:13,353 At first I took astreetcar to 'Praça João Mendes'... 109 00:13:13,592 --> 00:13:15,389 but then later I was having a better life... 110 00:13:15,561 --> 00:13:17,495 so I took a jitney at 'Praça Clóvis'. 111 00:13:17,696 --> 00:13:19,596 And a jitney was in a normal car, like a cab... 112 00:13:19,899 --> 00:13:22,459 and it took five passengers. 113 00:13:22,635 --> 00:13:26,401 So there was the jitney stop. When five passengers came in... 114 00:13:26,605 --> 00:13:29,130 it made its way, like a bus track. 115 00:13:29,275 --> 00:13:34,269 I had to wait frequently, so I watched the pickpockets... 116 00:13:34,446 --> 00:13:39,076 working at 'Praça Clóvis', at the bus line and it just came to me... 117 00:13:39,318 --> 00:13:42,378 that's how it happens, you just have to work on the idea. 118 00:13:42,688 --> 00:13:44,656 And it's a lot of work, you see. 119 00:13:45,524 --> 00:13:49,654 At 'Praça Clóvis' My wallet was stolen 120 00:13:50,896 --> 00:13:53,023 It had twenty-five bucks 121 00:13:53,098 --> 00:13:54,963 And your picture 122 00:13:55,601 --> 00:13:59,697 Twenty-five Frankly, I thought it was cheap 123 00:14:00,773 --> 00:14:04,709 To get me rid Of what was delaying my life 124 00:14:05,811 --> 00:14:09,770 I already should have ripped it But I couldn't 125 00:14:10,783 --> 00:14:15,914 This picture which's glance Used to hurt and follow me 126 00:14:16,255 --> 00:14:21,124 One day the swindler showed up In the middle of that crowded square 127 00:14:21,360 --> 00:14:25,057 Twenty-five Frankly, was for free 128 00:14:43,182 --> 00:14:47,710 In 1992, I made a documentary: ''Os Calangos do Boiaçu''... 129 00:14:47,953 --> 00:14:50,581 which showed a bit of the work of the scientist, Vanzolini... 130 00:14:50,823 --> 00:14:53,087 in the river Branco, State of Roraima. 131 00:14:55,995 --> 00:14:59,761 A good scientist is revealed and accomplishes in his laboratory. 132 00:14:59,932 --> 00:15:01,923 Obviously, that's applied to everyone. 133 00:15:02,134 --> 00:15:05,467 But the happy scientist is the one who is connected to the living forest. 134 00:15:06,005 --> 00:15:08,838 The forest is like that saying: 135 00:15:09,008 --> 00:15:11,272 ''the full thing is bigger than thesum of the parts''. 136 00:15:11,443 --> 00:15:14,935 It's not only this light, these plants, these animals, these voices... 137 00:15:15,114 --> 00:15:19,517 but it is this entire thing, which gets inside you... 138 00:15:19,718 --> 00:15:22,448 giving you happiness and a tremendous tranquility. 139 00:15:23,088 --> 00:15:25,818 I'm in this life for fifty years now... 140 00:15:26,025 --> 00:15:28,459 and logically my time is coming to an end. 141 00:15:28,694 --> 00:15:31,925 It's afear that I have, to not see this anymore. 142 00:15:32,498 --> 00:15:34,796 Not that I want to see lots of animals and lots of things... 143 00:15:35,034 --> 00:15:37,901 but to be in the forest to me is a great happiness. 144 00:15:48,047 --> 00:15:49,912 In the woods or in the laboratory, however... 145 00:15:50,149 --> 00:15:54,609 music is still part of zoologist Vanzolini's routine. 146 00:15:55,254 --> 00:15:57,654 He's always singing around. 147 00:15:57,957 --> 00:16:01,358 It could be the version of an Irving Berlin's song that he made... 148 00:16:01,560 --> 00:16:06,497 a blues, a Noel Rosa's samba, or maybe he is composing something new. 149 00:16:07,199 --> 00:16:09,167 With a white scarf in hand... 150 00:16:11,670 --> 00:16:14,764 ITALO PERON - MUSICAL DIRECTOR SÉRGIO ÁVILA - RECORDER TECHNICIAN 151 00:16:15,507 --> 00:16:18,374 In 2002, ''Acerto de Contas'' was made 152 00:16:18,577 --> 00:16:20,374 for Paulo Vanzolini. 153 00:16:20,679 --> 00:16:25,514 A general revisal of his work and the recording of fifty-two of his songs. 154 00:16:26,752 --> 00:16:30,688 Rehearsals where made in a place that Vazolini has near his house... 155 00:16:30,889 --> 00:16:32,857 at the 'Cambuci'district. 156 00:16:35,361 --> 00:16:38,819 He called his friends and the record slowly came out. 157 00:16:39,698 --> 00:16:44,032 I was always around and documented most of the rehearsals and recordings. 158 00:17:05,858 --> 00:17:08,850 I used to spend the whole day listening to the radio... 159 00:17:09,028 --> 00:17:13,294 at my dad's house, I remember the carnivals, I tuned at 'Rádio Difusora'... 160 00:17:13,532 --> 00:17:15,397 I was afourteen, fifteen year old boy. 161 00:17:15,601 --> 00:17:18,263 'Rádio Difusora' had asingersshow... 162 00:17:18,470 --> 00:17:21,633 in a time where all radio stations had an orchestraand asinger... 163 00:17:21,840 --> 00:17:25,241 at thestage, the auditorium. There was no disc jockey. 164 00:17:26,178 --> 00:17:29,875 I knew all the carnival songs, fromfirst to last. 165 00:17:30,315 --> 00:17:33,876 -And you didn't forget them... -No, I have a good memory... 166 00:17:34,053 --> 00:17:36,351 -I didn't forget them. -So you remember them all. 167 00:17:36,588 --> 00:17:41,423 So you see, my melodic composition is actually pieces of submerged memories... 168 00:17:41,627 --> 00:17:44,221 of things I have listened on the radio. 169 00:17:49,701 --> 00:17:53,797 CRY IN THE MIDDLE OF THE STREET 170 00:17:54,440 --> 00:17:59,275 You say that I hide when I'm crying 171 00:17:59,478 --> 00:18:03,847 My God, how naive you are 172 00:18:04,049 --> 00:18:08,679 You say that I hide when I'm crying 173 00:18:08,921 --> 00:18:13,449 My God, how naive you are 174 00:18:13,692 --> 00:18:22,896 If I had to cry I'd cry in the middle of the street 175 00:18:23,135 --> 00:18:31,907 If I had to cry I'd cry in the middle of the street 176 00:18:32,444 --> 00:18:36,642 You say that I hide when I'm crying 177 00:18:37,082 --> 00:18:41,712 My God, how naive you are 178 00:18:41,920 --> 00:18:45,651 You say that I hide when I'm crying 179 00:18:45,991 --> 00:18:50,724 My God, how naive you are 180 00:18:50,996 --> 00:18:59,904 If I had to cry I'd cry in the middle of the street 181 00:19:00,172 --> 00:19:09,205 If I had to cry I'd cry in the middle of the street 182 00:19:09,648 --> 00:19:14,142 I'll tell you that I miss you That's true 183 00:19:14,386 --> 00:19:18,379 I'll tell you I still want you You want me too 184 00:19:18,557 --> 00:19:23,256 But to cry Not alone, or in front of anyone 185 00:19:23,395 --> 00:19:27,388 Don't say that I cried No one is going to believe it 186 00:19:27,566 --> 00:19:31,764 Everybody knows I'm really tough 187 00:19:32,137 --> 00:19:36,005 Don't say that I cried No one is going to believe it 188 00:19:36,208 --> 00:19:40,702 Everybody knows I'm really tough 189 00:19:40,879 --> 00:19:44,747 Everybody knows I'm really tough 190 00:19:44,983 --> 00:19:49,943 Everybody knows I'm really tough 191 00:19:52,691 --> 00:19:54,716 Round the rugged rocks the ragged rascals ran. 192 00:19:55,227 --> 00:19:56,562 This is the ''R'' sound. 193 00:19:56,562 --> 00:19:58,363 What's the next sound? It's ''S''. 194 00:19:58,363 --> 00:20:01,230 Shesellsseashell in theseashore. 195 00:20:01,767 --> 00:20:04,670 Too much to tell the tail to Thamy 196 00:20:04,670 --> 00:20:07,139 Who tends to tell the true. 197 00:20:07,139 --> 00:20:11,235 Very vain the veil of Vanessa. 198 00:20:11,643 --> 00:20:14,279 Now lets change. Instead of the first starts at the end. 199 00:20:14,279 --> 00:20:17,082 Please, put the paperback book back. Funny. 200 00:20:17,082 --> 00:20:20,519 A dog mobbing a mob playing hob. 201 00:20:20,519 --> 00:20:24,011 Aspecial mink drinks his drink inside thesink 202 00:20:24,356 --> 00:20:28,393 A blow of the wind letting in to the within... 203 00:20:28,393 --> 00:20:30,258 From the inn 204 00:20:30,562 --> 00:20:32,052 From the inn.. 205 00:20:32,698 --> 00:20:36,235 Too much to tell the tail to Thamy 206 00:20:36,235 --> 00:20:38,362 Who tends to tell the true. 207 00:20:39,204 --> 00:20:42,307 And then we go from the jokes to the dramatic: 208 00:20:42,307 --> 00:20:44,276 A blow of the wind letting in 209 00:20:44,276 --> 00:20:45,903 From the within. 210 00:20:47,045 --> 00:20:49,741 It's a game. A linguistical exercise. 211 00:21:03,862 --> 00:21:06,296 Can you turn that up a bit, please? 212 00:21:18,010 --> 00:21:23,209 ''Serjão'' came to São Paulo in 1946, but I didn't know ''Serjão''... 213 00:21:23,382 --> 00:21:28,251 I knew Maria Amélia. I had some friends, they were my age. 214 00:21:28,420 --> 00:21:32,550 Geraldo and Marcelo Vidigal, but their father was also a great friend of mine. 215 00:21:32,758 --> 00:21:36,421 So, when Maria Améliaarrived in São Paulo, the Vidigal got really worried... 216 00:21:36,628 --> 00:21:38,926 that sheshould have an enthusiastic welcome... 217 00:21:39,131 --> 00:21:40,962 that weshould look for her and everything. 218 00:21:41,033 --> 00:21:44,093 I went and fell in love with her, with ''Serjão'', with her sisters. 219 00:21:44,269 --> 00:21:46,430 The kids where all very young... 220 00:21:46,605 --> 00:21:48,800 the oldest was Miúcha with her nine years of age. 221 00:21:56,448 --> 00:21:57,938 ROOT 222 00:21:58,183 --> 00:22:02,244 I live where the root lives in the ground 223 00:22:03,155 --> 00:22:07,558 In the dark and quietness of the ground 224 00:22:08,260 --> 00:22:13,163 In the time when I had wings I did a lot of pirouettes 225 00:22:13,365 --> 00:22:18,428 I flew in the wind To get back in the ground 226 00:22:19,905 --> 00:22:24,774 In the darkness of the ground I planted roots 227 00:22:24,943 --> 00:22:29,937 The sap from the ground I happily drank it 228 00:22:30,215 --> 00:22:35,152 In the darkness of my house I'm going to grow another wing 229 00:22:35,387 --> 00:22:37,878 I will fly with you 230 00:22:38,090 --> 00:22:40,490 dancing free with you 231 00:22:40,659 --> 00:22:43,150 as long as the wind blows 232 00:22:43,328 --> 00:22:45,819 without thinking about the ground 233 00:22:46,098 --> 00:22:48,191 without thinking about the ground 234 00:22:48,400 --> 00:22:50,493 without thinking about the ground 235 00:22:50,702 --> 00:22:53,694 without thinking about the ground 236 00:22:54,740 --> 00:22:56,173 The ground 237 00:22:57,275 --> 00:22:59,004 The ground 238 00:22:59,811 --> 00:23:02,006 The ground 239 00:23:09,955 --> 00:23:15,860 Generally, asentence comes up. As lyrics and music. 240 00:23:17,362 --> 00:23:22,095 And then, I work it out calmly, with patience. 241 00:23:23,201 --> 00:23:29,470 So how does asentence like that comes up? 242 00:23:29,841 --> 00:23:33,538 When I was in a place called Claudia, in Mato Grosso... 243 00:23:33,745 --> 00:23:38,182 I was sitting alone at the house's porch... 244 00:23:38,350 --> 00:23:42,582 it was afarm house that we rented. And it came to me: 245 00:23:42,788 --> 00:23:45,586 When I go, I'll go with no pitty Pitty will have those who stay 246 00:23:45,791 --> 00:23:48,453 Thissentence came to me like that. Lyrics and music. 247 00:23:48,794 --> 00:23:50,625 So I worked on top of that. 248 00:24:11,516 --> 00:24:13,177 How does music come and go? 249 00:24:13,351 --> 00:24:15,319 It is always in your subconscious. 250 00:24:15,554 --> 00:24:17,283 It comes back to you once in a while, I remember it... 251 00:24:17,456 --> 00:24:19,981 and work it out a bit more. And usually it shows up... 252 00:24:20,158 --> 00:24:25,425 The ruler of the music is the rime. The rime and the rhythm. 253 00:24:25,630 --> 00:24:28,565 Not the musical rhythm, But the text rhythm. 254 00:24:34,806 --> 00:24:37,242 WHEN I GO, I'LL GO WITH NO PITY When I go, I'll go with no pity 255 00:24:37,242 --> 00:24:39,767 Pity will have those who stay 256 00:24:40,011 --> 00:24:45,381 When I go, I'll go with no pity Pity will have to stay 257 00:24:46,084 --> 00:24:50,077 Brunette so unloved and needing to love 258 00:24:51,523 --> 00:24:56,688 Delicate amaryllis With no one gardening you 259 00:24:57,162 --> 00:25:02,464 Serene river curve With no prow to navigate 260 00:25:02,734 --> 00:25:07,933 And so many places on the road With no one to lay down with 261 00:25:08,707 --> 00:25:11,039 What I did was too little 262 00:25:11,276 --> 00:25:13,836 But it is mine and goes with me 263 00:25:14,179 --> 00:25:16,704 I leave a lot of enemies 264 00:25:17,048 --> 00:25:19,608 Because I always walked on the line 265 00:25:20,118 --> 00:25:25,385 In my chest I have consoled many cries 266 00:25:25,724 --> 00:25:30,661 My brunette Until when will you remember me 267 00:25:30,962 --> 00:25:36,229 When I go, I'll go with no pity Pity will have those who stay 268 00:25:36,701 --> 00:25:41,729 When I go, I'll go with no pity Pity will have those who stay 269 00:26:08,733 --> 00:26:12,692 -What about Alberto? -Alberto, that's a truestory. 270 00:26:12,871 --> 00:26:15,203 -He existed? Yes, his name was Nelson. 271 00:26:15,440 --> 00:26:17,305 That was when I worked at the 'Hospital das Clínicas'... 272 00:26:17,475 --> 00:26:21,434 and so a man showed up making a conversation at the waiting room... 273 00:26:21,746 --> 00:26:25,011 saying: ''My brother Nelson is too good, doctor...'' 274 00:26:25,283 --> 00:26:29,219 ''that boy sleeps with the fiancé and the mother-in-law!'' 275 00:26:30,555 --> 00:26:33,217 The day the mother-in-law found out, she wasted a round of bullets 276 00:26:33,425 --> 00:26:36,087 and heshowed up at the hospital full of holes. 277 00:26:36,328 --> 00:26:37,852 How does it go? 278 00:26:38,063 --> 00:26:40,224 Alberto, went to live at the fiancé's house 279 00:26:40,398 --> 00:26:42,298 It didn't work out Alberto was too good 280 00:26:42,467 --> 00:26:44,901 To his mother-in-law he did what not many people do 281 00:26:45,103 --> 00:26:46,365 Treated her well 282 00:26:46,538 --> 00:26:49,132 With so much care That left the neighbor's wife jealous 283 00:26:49,341 --> 00:26:51,639 Who had a point and went there to contest the subject 284 00:26:51,876 --> 00:26:54,310 It was a huge mess As a result a nearby widow 285 00:26:54,546 --> 00:26:56,946 Took a gun And stood behind Alberto 286 00:26:57,115 --> 00:26:59,583 And the emporium owner watching that uproar 287 00:26:59,784 --> 00:27:01,581 Smiled and said: 288 00:27:01,753 --> 00:27:04,415 These ladies are crazy Albertinho wouldn't do that with me 289 00:27:04,656 --> 00:27:08,456 Her own maid laughed in pity And thought, ''poor woman 290 00:27:08,660 --> 00:27:10,992 Alberto only likes dark skin really tanned'' 291 00:27:11,229 --> 00:27:13,823 Already been slapped for being a meddler 292 00:27:14,032 --> 00:27:16,830 The uproar was spreading When Alberto's wife arrived 293 00:27:17,002 --> 00:27:19,937 And she was angry and arguing I'm the legit woman 294 00:27:20,138 --> 00:27:22,072 Married in the law of the Vatican country 295 00:27:22,207 --> 00:27:24,004 And she came ripping of the clothes punching in the eye 296 00:27:24,175 --> 00:27:25,733 Pulling the lice's nest 297 00:27:26,378 --> 00:27:28,278 If I wasn't a very classy lady that, even when drunk, doesn't curse 298 00:27:28,513 --> 00:27:31,141 I would show these low lives These bad quality leather 299 00:27:31,349 --> 00:27:33,840 These gossipers Women with weak husbands 300 00:27:34,019 --> 00:27:37,011 If you didn't have the impertinence Of messing with a good man 301 00:27:37,188 --> 00:27:39,053 That has as only imperfection 302 00:27:39,257 --> 00:27:41,452 What he carries in the left side of his chest 303 00:27:41,693 --> 00:27:43,991 A heart that is too big 304 00:27:44,195 --> 00:27:46,322 With these words of sorrow In came the reinforced cops 305 00:27:46,531 --> 00:27:48,499 Which took all of the ladies 306 00:27:48,667 --> 00:27:50,294 There where twelve married ones 307 00:27:50,468 --> 00:27:52,060 Fifteen single and seventeen who left their husbands 308 00:27:52,270 --> 00:27:54,101 But what really felt sorry about 309 00:27:54,305 --> 00:27:56,637 Was filling a van from the juvenile court 310 00:27:56,841 --> 00:27:59,002 They were all sent to the police department 311 00:27:59,177 --> 00:28:01,407 And still weren't satisfied They continued the conflict 312 00:28:01,613 --> 00:28:03,103 The police officer got nervous And shouted loud 313 00:28:03,314 --> 00:28:06,044 ''Take these monkeys in Lock the door and loose the key 314 00:28:06,251 --> 00:28:08,481 And bring me this Alberto I want to speak with him 315 00:28:08,720 --> 00:28:11,416 I want to know this great artist in person'' 316 00:28:11,690 --> 00:28:14,625 Ten Sherlockes followed the clues With police dogs 317 00:28:14,859 --> 00:28:18,056 Newspaper reports Radio and TVstations 318 00:28:18,263 --> 00:28:21,494 After circling a lot Found Alberto in 'Vila Esperança' 319 00:28:21,700 --> 00:28:25,864 In the garden, playing with the kids His wife in the kitchen 320 00:28:26,037 --> 00:28:27,937 Preparing the nursing-bottle of their youngest 321 00:28:28,139 --> 00:28:31,040 A touching scene But they took everybody along 322 00:28:31,242 --> 00:28:34,143 And if you want to know more Look in the newspapers tomorrow 323 00:28:34,312 --> 00:28:36,212 Because Alberto went to live at the fiancé's house 324 00:28:36,381 --> 00:28:39,908 It didn't work out Alberto was too good 325 00:28:41,319 --> 00:28:43,082 His name was Nelson... 326 00:28:44,422 --> 00:28:47,016 but Nelson doesn't rime with 'didn't work out'. 327 00:29:18,089 --> 00:29:20,557 AUCTION 328 00:29:21,860 --> 00:29:25,557 Yesterday, was sold with the struck of the hammer 329 00:29:25,764 --> 00:29:28,324 What I don't have And want the most 330 00:29:29,567 --> 00:29:33,503 Yesterday, was sold with the struck of the hammer 331 00:29:33,705 --> 00:29:36,572 What I don't have And want the most 332 00:29:38,209 --> 00:29:43,306 I got disturbed Walking around the alleys 333 00:29:43,615 --> 00:29:48,211 Avoiding envious glances And counting the hammer strikes 334 00:29:49,154 --> 00:29:51,520 Going once, going twice 335 00:29:51,689 --> 00:29:53,748 Going once, going twice 336 00:29:53,958 --> 00:29:56,791 Going three dagger stabs 337 00:29:59,531 --> 00:30:04,594 After the auction I went away kicking rocks on the street 338 00:30:04,869 --> 00:30:09,704 Someone else took it home Paid, taking what's yours 339 00:30:10,108 --> 00:30:14,875 From this man I hold no sorrow Only someone crazy wouldn't take it 340 00:30:15,180 --> 00:30:20,208 But he doesn't like it the way I do And doesn't treat it the way I do 341 00:30:20,451 --> 00:30:25,354 Eye of the docile snake Mouth of an angry fruit 342 00:30:25,657 --> 00:30:30,651 Eye of the docile snake Mouth of an angry fruit 343 00:30:52,016 --> 00:30:54,382 Hail Paulo Vanzolini! Thank you. 344 00:30:54,919 --> 00:30:56,750 I know I don't understand about music... 345 00:30:56,921 --> 00:30:59,719 but I know that the music from São Paulo is music with personality. 346 00:31:01,826 --> 00:31:07,321 For example, asamba from Adoniran, played by 'Demônios da Garoa'... 347 00:31:07,398 --> 00:31:10,368 if I listen to that in upper Mongolia... 348 00:31:10,368 --> 00:31:12,302 I'll know it's asamba from São Paulo. 349 00:31:13,137 --> 00:31:14,729 I met Adoniran when I worked at 'Record'... 350 00:31:14,973 --> 00:31:17,203 Actually, before I worked at 'Rádio Record'... 351 00:31:17,375 --> 00:31:21,869 I had a cousin that was my close friend, Henrique Lobo... 352 00:31:22,080 --> 00:31:24,412 and he was aspeaker at 'Record'. 353 00:31:24,616 --> 00:31:26,880 So every afternoon I passed at 'Record' to pick him up and go home. 354 00:31:27,118 --> 00:31:28,983 So I met Raul Duarte... 355 00:31:29,187 --> 00:31:31,985 All the friends I had at 'Record' fromstreet 'Quintino Bocaiuva'. 356 00:31:33,458 --> 00:31:35,016 Including Adoniran. 357 00:31:35,193 --> 00:31:37,058 -Because of Henrique Lobo... -Because of Henrique. 358 00:31:37,262 --> 00:31:40,891 But Adoniran really became my friend, When I started working at 'TV Record'. 359 00:31:41,132 --> 00:31:44,067 Because before theshow went on air, We would cross thestreet... 360 00:31:44,269 --> 00:31:47,796 and drink a little Cachaça. Him, me and Gregorian. 361 00:31:48,239 --> 00:31:50,673 I always compared Adoniran to a caricaturist. 362 00:31:51,376 --> 00:31:54,402 I thought about that the day I saw a caricature from De Gaulle... 363 00:31:54,612 --> 00:31:57,979 and it was just a nose. And I knew it was De Gaulle. 364 00:31:58,182 --> 00:32:00,173 That's the caricaturist's virtue. 365 00:32:00,451 --> 00:32:03,750 To characterizesomething with onestroke. 366 00:32:03,955 --> 00:32:06,355 And Adoniran was like that. I liked him. 367 00:32:06,524 --> 00:32:08,890 And he liked me too. He gave an interview for Fernando Faro, 368 00:32:09,093 --> 00:32:12,460 And I only saw this interview many years after his death... 369 00:32:12,630 --> 00:32:16,726 it was at Faro'sshow on Channel 2, and it really touched me... 370 00:32:17,001 --> 00:32:18,935 the way he demonstrated our friendship... 371 00:32:19,137 --> 00:32:21,605 with the comprehension of our relationship, that was great. 372 00:32:21,773 --> 00:32:24,537 Is your samba different from Vanzolini's samba? 373 00:32:28,112 --> 00:32:31,445 'Praça da Sé' 374 00:32:32,317 --> 00:32:35,912 'Praça da Sé' 375 00:32:36,220 --> 00:32:39,121 Today you are 376 00:32:40,158 --> 00:32:43,321 Madame 'Sé'station 377 00:32:44,862 --> 00:32:47,922 No, it's not so different. 378 00:32:48,232 --> 00:32:51,463 He wrote 'Praça Clóvis' And I wrote 'Praça da Sé'. 379 00:32:51,970 --> 00:32:54,564 But Paulo is an intelligent man. 380 00:32:54,973 --> 00:32:58,875 He is a more cultured man than I am, And makes things better than me. 381 00:32:59,243 --> 00:33:04,306 He is a great friend of mine. But the music is the same, understand... 382 00:33:04,682 --> 00:33:10,211 He is my friend and makes sambas like mine. 383 00:33:10,722 --> 00:33:13,782 It's not the same, he uses different themes. 384 00:33:13,958 --> 00:33:18,622 His themes aresomething else. My sambas are more foolish... 385 00:33:18,796 --> 00:33:22,197 his are more intellectual, because he is a professor... 386 00:33:22,400 --> 00:33:27,861 he is from the zoo, an intelligent guy. 387 00:33:28,139 --> 00:33:30,164 Very different from me. 388 00:33:30,375 --> 00:33:32,070 Our samba is the same. 389 00:33:32,343 --> 00:33:33,935 What about 'Seu Barbosa'? 390 00:33:34,112 --> 00:33:36,603 'Seu Barbosa' was an order from Luiz Carlos Paraná... 391 00:33:36,781 --> 00:33:40,478 He wanted to give a medal to Adoniran. 392 00:33:40,818 --> 00:33:42,683 And at the party where he gave him the medal... 393 00:33:42,854 --> 00:33:45,914 he ordered me to make asong making fun of Adoniran... 394 00:33:46,124 --> 00:33:50,356 specially because at that time Agostinho dos Santos... 395 00:33:50,561 --> 00:33:52,893 had arrived from Italy, and he told Adoniran: 396 00:33:53,064 --> 00:33:55,191 ''I had a huge discussion over there, I even went to the embassy... 397 00:33:55,366 --> 00:33:57,561 because they where playing 'Trem das Onze'... 398 00:33:57,735 --> 00:34:00,727 as if it was an Italian's authorship, Giovanni Rubinato.'' 399 00:34:00,805 --> 00:34:05,003 Because João Rubinato was Adoniran's name, and Agostinho didn't know. 400 00:34:05,209 --> 00:34:07,177 So Paraná ordered me thesong... 401 00:34:07,378 --> 00:34:10,404 imitating Adoniran'sstyle, however I could. 402 00:34:10,715 --> 00:34:13,650 And I was his great friend, I liked his music a lot... 403 00:34:13,818 --> 00:34:15,649 and it worked out fine. 404 00:34:15,853 --> 00:34:19,289 And it was supposed to besung at that day. 405 00:34:19,424 --> 00:34:22,188 -And was it? -It didn't happen. 406 00:34:22,994 --> 00:34:25,087 The medal wasn't delivered. 407 00:34:36,741 --> 00:34:41,201 ''Seu Barbosa'', we had a good marriage 408 00:34:41,879 --> 00:34:47,840 Living far away, but the bus passes nearby 409 00:34:48,052 --> 00:34:52,751 A beautiful view from the top of our hill 410 00:34:52,957 --> 00:34:57,724 And if the kids ever needed, there was an Emergency Room 411 00:34:57,962 --> 00:34:59,793 Only an hour away from there 412 00:34:59,997 --> 00:35:04,366 Me and Marly were satisfied 413 00:35:04,669 --> 00:35:09,800 What they did with us, Seu Barbosa Was not right 414 00:35:10,208 --> 00:35:14,702 What started the trouble was a cat 415 00:35:14,946 --> 00:35:20,851 Belonging to a citizen Called Rubinato 416 00:35:21,152 --> 00:35:25,555 The cat disappeared And he blamed it on me. 417 00:35:25,957 --> 00:35:31,054 Only because he saw me Covering a tambourine with leather 418 00:35:31,529 --> 00:35:36,728 He went to the police department, And talked to the clerk 419 00:35:37,468 --> 00:35:42,633 The next day, I received a notification 420 00:35:42,974 --> 00:35:47,775 But I don't care, one who does not owe shall not fear 421 00:35:48,012 --> 00:35:53,075 I'll prove that the tambourine Was made with the Spaniard lady's cat 422 00:35:54,185 --> 00:35:58,451 Mr. Rubinato I'll give you a good advice 423 00:35:59,223 --> 00:36:01,088 Get yourself another cat 424 00:36:01,259 --> 00:36:04,490 And Marly will teach you How to cook a rabbit 425 00:36:24,549 --> 00:36:28,542 Irede was one of the first feminist politician in São Paulo... 426 00:36:28,719 --> 00:36:32,018 and she was very dedicated, very brave, very articulated. 427 00:36:32,623 --> 00:36:36,320 ...we are all united, independent from parties, fighting in progress... 428 00:36:36,460 --> 00:36:38,155 against violence, for peace. 429 00:36:38,362 --> 00:36:40,887 Because women have learned that they want to love, real love. 430 00:36:41,065 --> 00:36:43,124 This is a parade about love and life. 431 00:36:44,669 --> 00:36:46,398 One and two, and one... 432 00:36:55,479 --> 00:37:00,644 Maria was looking elegant In the rags she was wearing 433 00:37:00,885 --> 00:37:05,345 In the heels of your shoes She had a queen's walk 434 00:37:05,590 --> 00:37:07,057 MAN'S CARE 435 00:37:07,291 --> 00:37:09,088 Luxurious and petulant 436 00:37:09,293 --> 00:37:11,454 Living with me On the verge to starvation 437 00:37:11,662 --> 00:37:16,065 Irede can say whatever she wants What embellishes a woman the most 438 00:37:16,334 --> 00:37:19,565 Still is a man's care 439 00:37:20,304 --> 00:37:25,708 Maria left me Trying to get a better life 440 00:37:25,876 --> 00:37:31,075 It worked, no one doubts it But not entirely 441 00:37:31,382 --> 00:37:37,014 Who plays the game feels that something is missing on her 442 00:37:37,255 --> 00:37:42,750 Maria took to the high society Vivacity and tenderness 443 00:37:43,194 --> 00:37:48,222 Apainting of a face A disrespectful body 444 00:37:48,532 --> 00:37:54,095 You only forgot to take, my friend The hand that took care of you 445 00:37:54,305 --> 00:37:59,743 You only forgot to take, my friend The hand that took care of you 446 00:38:00,177 --> 00:38:05,342 You only forgot to take, my friend The hand that took care of you 447 00:38:07,218 --> 00:38:10,119 So Irede was the feminist. 448 00:38:10,354 --> 00:38:12,345 Irede, the feminist, can say whatever she wants... 449 00:38:12,556 --> 00:38:15,354 What embellishes a woman the most Still is a man's care. 450 00:38:15,559 --> 00:38:20,394 -And how did she react? -She laughed so hard... 451 00:38:22,600 --> 00:38:24,158 ''Chauvinist!'' 452 00:38:29,640 --> 00:38:35,636 Woman, keep your head straight Show your teeth in asmile 453 00:38:35,946 --> 00:38:40,645 I'm a man who doesn't need To tolerate astressed look 454 00:38:40,851 --> 00:38:45,914 Hang the hat behind the door I'll stay and I'll go 455 00:38:46,190 --> 00:38:50,149 I'll give a ring, If it's deserved If the finger stays 456 00:38:50,361 --> 00:38:55,993 Woman, keep your head straight Show your teeth in asmile 457 00:38:56,367 --> 00:39:00,895 I'm a man who doesn't need To tolerate astressed look 458 00:39:01,038 --> 00:39:05,941 Hang the hat behind the door I'll stay and I'll go 459 00:39:06,410 --> 00:39:10,107 I'll give a ring, If it's deserved If the finger stays 460 00:39:10,548 --> 00:39:12,243 Woman... 461 00:39:12,450 --> 00:39:17,319 Every man is the greatest for himself And wants respect 462 00:39:17,521 --> 00:39:20,752 There's way for everything 463 00:39:20,958 --> 00:39:24,416 Without a fight not even a tied up donkey 464 00:39:25,463 --> 00:39:31,629 Woman who turns to the other side Is summoning her substitute 465 00:39:33,003 --> 00:39:36,370 A woman that doesn't smile Doesn't need teeth 466 00:39:37,675 --> 00:39:38,767 Woman 467 00:39:57,862 --> 00:40:01,559 MARIA, WHO NOBODYWANTED Maria who nobody wanted 468 00:40:02,333 --> 00:40:04,563 I decided to reform 469 00:40:05,903 --> 00:40:09,634 I took her to the dentist Paid the stylist 470 00:40:09,840 --> 00:40:17,406 Taught her how to speak I got satisfied with what I had done 471 00:40:17,648 --> 00:40:25,214 Aperfect job, an artist's work But Maria was smart 472 00:40:25,423 --> 00:40:29,553 I left the door open And she made her way 473 00:40:30,928 --> 00:40:37,094 Time passed One day Maria came looking for me 474 00:40:38,235 --> 00:40:42,934 She opened her game And already declared 475 00:40:44,074 --> 00:40:50,309 That despite the progress That despite the success 476 00:40:50,514 --> 00:40:56,111 That she had found on her way Despite the wealthiness 477 00:40:57,455 --> 00:41:02,017 She kept a weakness For my love 478 00:41:03,694 --> 00:41:06,060 Proposed to get back with me 479 00:41:06,263 --> 00:41:09,960 That she would share All that she had 480 00:41:10,835 --> 00:41:15,772 She promised she'd be mine All mine, entirely 481 00:41:16,607 --> 00:41:22,671 With a natural exception And I didn't get her wrong 482 00:41:22,913 --> 00:41:29,375 But at the same time I refused her offer 483 00:41:30,321 --> 00:41:34,348 Pride, I don't have But I'm too much of a man 484 00:41:34,558 --> 00:41:37,322 For fifty percent 485 00:41:59,316 --> 00:42:04,618 Travel journal, Madeira river, December 14th 1975. 486 00:42:05,589 --> 00:42:09,616 I got out at 13h and until 15h I hadn't seen any animals. 487 00:42:10,194 --> 00:42:13,186 I started to get depressed and decided to sing a little 488 00:42:13,631 --> 00:42:15,428 It was a good idea 489 00:42:15,599 --> 00:42:17,863 I managed to finalize asamba Work fine on another 490 00:42:18,102 --> 00:42:20,764 And I got a Chironius and that was it 491 00:42:21,372 --> 00:42:24,136 On may way back I ran into a latex extractor 492 00:42:24,341 --> 00:42:26,707 Who told me about four jaguars that were at loose in the proximities... 493 00:42:26,944 --> 00:42:29,879 and of a pig that was lost. 494 00:42:30,314 --> 00:42:32,475 Since I get out at night, I asked José Cláudio... 495 00:42:32,650 --> 00:42:36,677 that if the jaguar ever kills me he'll play Last Wish (asamba) at my funeral.. 496 00:42:36,921 --> 00:42:39,321 Because that's really one of the greatest desires I have in my life: 497 00:42:39,523 --> 00:42:41,684 to see a jaguar in the forest. 498 00:42:45,563 --> 00:42:48,293 I sent the boys to the farm To cut me some sugar-canes 499 00:42:48,566 --> 00:42:51,262 They came back running Tripping here and falling there 500 00:42:51,502 --> 00:42:55,461 I asked: What happened? ''Just an animal that we saw'' 501 00:42:55,839 --> 00:42:58,706 And what animal was that? ''This animal is spotted'' 502 00:42:58,876 --> 00:43:03,040 ''With a flat face, a pointy mustache Round ears, a big claw'' 503 00:43:03,247 --> 00:43:05,511 ''A big tail behind'' 504 00:43:05,916 --> 00:43:09,477 I said: that's a jaguar That's a jaguar 505 00:43:09,753 --> 00:43:12,483 I had loosen my dogs My faithful dogs 506 00:43:12,690 --> 00:43:15,318 They bark sharp and grave They bark in loud laughter 507 00:43:15,526 --> 00:43:20,156 And there they went: woof, woof,woof, woof 508 00:43:20,664 --> 00:43:22,564 Fromstick to stick And fromstump to stump 509 00:43:22,766 --> 00:43:24,290 Fromstump to stump And from bush to bush 510 00:43:24,468 --> 00:43:25,958 And from bush to bush And fromstump to stump 511 00:43:26,170 --> 00:43:27,831 And fromstump to stump and fromstick to stick 512 00:43:28,005 --> 00:43:31,964 The big animal fell over there That's a jaguar 513 00:43:46,290 --> 00:43:48,850 This project of mine is giving me the opportunity... 514 00:43:49,093 --> 00:43:51,960 to live with some of my musical idols. 515 00:43:52,396 --> 00:43:56,765 The musical quality, the quality of the musicians, issomething amazing. 516 00:43:57,134 --> 00:44:01,798 We are also revealing singers. We are revealing Paulinho Nogueira. 517 00:44:03,207 --> 00:44:05,539 Look at who showed up here! 518 00:44:05,976 --> 00:44:10,072 What did you come here to do? You got nothing to do with this? 519 00:44:12,082 --> 00:44:15,210 What a joy! Oh my... 520 00:44:15,452 --> 00:44:18,353 When I called Paulinho Nogueira to sing he said: 521 00:44:18,622 --> 00:44:22,217 ''I demand the mandolin player'' I ask him who it was... 522 00:44:22,393 --> 00:44:24,953 He said: ''Izaías''. I said: ''He's already there''! 523 00:44:26,063 --> 00:44:27,496 Izaías, are you set over there? 524 00:44:45,916 --> 00:44:48,976 THREE O'CLOCK MORNING WALTZ I don't drink to forget 525 00:44:49,753 --> 00:44:51,778 I drink to remember 526 00:44:53,724 --> 00:44:58,718 I drink and stumble And I have you by my side 527 00:45:01,031 --> 00:45:06,059 That's my moment of happiness 528 00:45:07,271 --> 00:45:10,832 I walk in the fog of the streets 529 00:45:11,341 --> 00:45:14,606 Talking to you 530 00:45:14,812 --> 00:45:23,117 Songs of lost happiness 531 00:45:25,222 --> 00:45:31,752 Your perfume mixes With the good smell of dawn 532 00:45:32,229 --> 00:45:35,960 Your hand doesn't even Weight in my arm 533 00:45:36,133 --> 00:45:39,125 But you contact is sweet, sweet 534 00:45:39,303 --> 00:45:44,331 And the sound of your step is music Pure music 535 00:45:44,675 --> 00:45:48,873 I only don't see you But that's okay 536 00:45:49,546 --> 00:45:54,483 With you beside me That's enough for me 537 00:45:54,651 --> 00:46:06,153 And there I go walking in the fog Happy, until I fall 538 00:46:44,001 --> 00:46:49,462 Your perfume mixes With the good smell of dawn 539 00:46:50,307 --> 00:46:53,868 Your hand doesn't even Weight in my arm 540 00:46:54,077 --> 00:46:57,171 But you contact is sweet, sweet 541 00:46:57,347 --> 00:47:02,979 And the sound of your step is music Pure music 542 00:47:03,854 --> 00:47:07,847 I only don't see you But that's okay 543 00:47:09,726 --> 00:47:15,221 With you beside me That's enough for me 544 00:47:15,432 --> 00:47:28,004 And there I go walking in the fog Happy, until I fall 545 00:47:30,681 --> 00:47:32,945 Thank you, good night everybody. 546 00:47:35,953 --> 00:47:37,386 Thank you. 547 00:48:01,945 --> 00:48:04,072 ''Waltz with no end'', is a technical trick that I didn't solve out. 548 00:48:04,248 --> 00:48:07,217 It ended up having no end, because I could never finish it. 549 00:48:08,685 --> 00:48:11,415 I couldn't put an end to it. It repeats itself. 550 00:48:24,368 --> 00:48:25,630 Lets go guys... 551 00:48:26,136 --> 00:48:29,196 The rimes are all in words with asyllable with the letter 'M'. 552 00:48:30,140 --> 00:48:33,940 ''Tem, bem...'' Understand? That's a trick. 553 00:48:34,111 --> 00:48:37,740 Asimple virtuosity that I tried to do and didn't work out. 554 00:49:14,851 --> 00:49:20,289 WALTZ WITH NO END I know that I'll never have one 555 00:49:20,524 --> 00:49:21,855 Who 556 00:49:22,359 --> 00:49:25,760 Will love and want me well 557 00:49:25,896 --> 00:49:30,492 This heart of mine So thirsty of love 558 00:49:30,701 --> 00:49:33,465 Come and bring me your heat 559 00:49:33,670 --> 00:49:43,136 Come, because I can't live without This that nobody else has 560 00:49:43,380 --> 00:49:50,377 Only you can give it Come and ease my will to love 561 00:49:50,587 --> 00:50:01,794 Come to enjoy in my lover's arms The best moments love gives in life 562 00:50:02,032 --> 00:50:07,732 Come quick, my dear I can't wait 563 00:50:40,437 --> 00:50:50,779 I know that I'll never have one who Will love and want me well 564 00:50:51,081 --> 00:50:55,609 This heart of mine So thirsty of love 565 00:50:55,852 --> 00:50:58,753 Come and bring me your heat 566 00:50:58,889 --> 00:51:08,287 Come, because I can't live without This that nobody else has 567 00:51:08,498 --> 00:51:16,166 Only you can give it Come and ease my will to love 568 00:51:16,306 --> 00:51:27,615 Come to enjoy in my lover's arms The best moments love gives in life 569 00:51:27,784 --> 00:51:33,120 Come quick, my dear I can't wait 570 00:51:58,748 --> 00:52:00,807 Inezita was asuccess. 571 00:52:01,051 --> 00:52:06,489 And she is accused so much of being afolklore artist. 572 00:52:06,690 --> 00:52:09,750 But she is one of the greatest sambasingers Brazil has ever had. 573 00:52:10,093 --> 00:52:13,028 We went to 'Morro do Salgueiro'', at some guy's house... 574 00:52:13,196 --> 00:52:15,994 and Inezita made a presentation of Noel Rosa's music... 575 00:52:16,166 --> 00:52:17,895 that peoplestarted to cry. 576 00:52:18,101 --> 00:52:20,399 They asked for champagne. The champagne was warm. 577 00:52:22,005 --> 00:52:24,132 -Let's go? -Let's go. 578 00:52:27,310 --> 00:52:29,039 Recording... 579 00:52:43,727 --> 00:52:50,997 A woman showed up Looking for José 580 00:52:51,401 --> 00:52:58,637 Silence was made And finally asad voice said 581 00:52:58,875 --> 00:53:03,107 You got here late José died longing for someone 582 00:53:03,313 --> 00:53:05,338 On the past 15th... 583 00:53:05,549 --> 00:53:07,608 On the past 15th... 584 00:53:07,751 --> 00:53:11,209 On the past 15th... 585 00:53:11,888 --> 00:53:19,056 A woman showed up Looking for José 586 00:53:19,496 --> 00:53:26,834 Silence was made And finally asad voice said 587 00:53:27,037 --> 00:53:31,235 You got here late José died longing for someone 588 00:53:31,474 --> 00:53:33,305 On the past 15th... 589 00:53:33,510 --> 00:53:35,569 On the past 15th... 590 00:53:35,812 --> 00:53:39,043 On the past 15th... 591 00:53:39,916 --> 00:53:44,353 The lady screamed Put her hand over her heart 592 00:53:44,521 --> 00:53:49,720 Got white as wax And fell hard on the ground 593 00:53:50,460 --> 00:53:54,624 But nobody felt sorry for her No sir, no one did 594 00:53:54,864 --> 00:53:58,493 Because of this woman José died 595 00:53:58,735 --> 00:54:00,965 On the past 15th... 596 00:54:01,204 --> 00:54:03,001 On the past 15th... 597 00:54:03,240 --> 00:54:06,676 On the past 15th... 598 00:54:08,511 --> 00:54:11,344 Where I really listened to a ''Partido alto'' samba... 599 00:54:11,481 --> 00:54:15,645 was with Inezita in Niterói in a place called 'Clube Central'. 600 00:54:15,852 --> 00:54:18,150 The lead singer was a man called Nego Peitão... 601 00:54:18,321 --> 00:54:20,482 a real ''Partido alto'' singer... 602 00:54:20,657 --> 00:54:23,421 A vagabond that hits my face 603 00:54:23,593 --> 00:54:26,858 Has to sign his will And say goodbye to his wife 604 00:54:27,030 --> 00:54:30,227 If he has kids Leave themsomething to remember 605 00:54:30,433 --> 00:54:33,732 A face who mommy kissed No vagabond will ever touch 606 00:54:33,937 --> 00:54:37,304 Me and you, you and her You and her, her and me 607 00:54:37,474 --> 00:54:40,910 Now not even me and her Not you and her, nor me. 608 00:54:41,077 --> 00:54:44,444 I played with Jesus Christ At a ivory table 609 00:54:44,648 --> 00:54:48,015 He won my soul And I won you for me 610 00:54:48,218 --> 00:54:49,549 Vagabond... 611 00:54:49,753 --> 00:54:53,189 In 'Campo de São Bento' Which is the best place in the world 612 00:54:53,390 --> 00:54:56,518 Almost all the women Valorize a vagabond 613 00:54:56,693 --> 00:54:59,958 Every ceiling has lath Every lath has tiles 614 00:55:00,130 --> 00:55:03,531 Every blind man of two eyes Doesn't need eyebrows 615 00:55:03,733 --> 00:55:05,428 Vagabond... 616 00:55:06,603 --> 00:55:09,333 -Wow, and you heard that once? -Yeah... 617 00:55:28,458 --> 00:55:31,120 I first knew him in a cordial and superficial way. 618 00:55:31,328 --> 00:55:34,058 The first time we actually spoke a bit more, was here in my house. 619 00:55:34,197 --> 00:55:35,596 I liked hima lot. 620 00:55:41,971 --> 00:55:43,836 I got the feeling he got out of here as my friend. 621 00:55:44,441 --> 00:55:47,410 WAR FLAG In one of life's corners 622 00:55:47,410 --> 00:55:50,280 A woman lost in time 623 00:55:50,280 --> 00:55:52,942 A man in a deadlock 624 00:55:54,918 --> 00:55:58,251 With this false step And bad start 625 00:55:58,688 --> 00:56:02,385 This distorted love Was born without willing 626 00:56:02,625 --> 00:56:08,655 It admires me that it worked Who would've thought? 627 00:56:09,299 --> 00:56:13,531 That it was madness For more than a day 628 00:56:15,138 --> 00:56:22,874 In fact, who would've thought That it would see the light of day? 629 00:56:24,881 --> 00:56:27,941 In one of life's corners 630 00:56:28,184 --> 00:56:33,451 A woman lost in time A man in a deadlock 631 00:56:35,525 --> 00:56:39,427 With this false step And bad start 632 00:56:39,796 --> 00:56:44,529 This distorted love Was born without willing 633 00:56:45,468 --> 00:56:49,370 It admires me that it worked Who would've thought? 634 00:56:49,906 --> 00:56:53,808 That it was madness For more than a day 635 00:56:55,278 --> 00:57:02,047 In fact, who would've thought That it would see the light of day? 636 00:57:05,054 --> 00:57:08,080 But it worked and it is settled 637 00:57:08,558 --> 00:57:13,018 Yes it's distorted, I display it And no one straightens me 638 00:57:13,396 --> 00:57:16,627 Woman, since God wants it Let's keep going 639 00:57:16,833 --> 00:57:19,529 My war flag 640 00:57:19,736 --> 00:57:23,729 My fighting foot on the ground 641 00:57:23,973 --> 00:57:26,806 My right to be a person 642 00:57:27,043 --> 00:57:29,876 My war flag 643 00:57:30,079 --> 00:57:32,843 My fighting foot on the ground 644 00:57:33,116 --> 00:57:35,448 My right to be a person 645 00:57:36,853 --> 00:57:39,321 My war flag 646 00:57:39,622 --> 00:57:42,147 My fighting foot on the ground 647 00:57:42,592 --> 00:57:45,220 My right to be a person 648 00:57:57,640 --> 00:58:02,907 Elton came because the Paulinho's guys decided weshould be partners. 649 00:58:03,079 --> 00:58:06,173 I didn't know Elton before, I just sent him the lyrics. 650 00:58:07,550 --> 00:58:10,178 But did you meet him here, the first time? 651 00:58:10,353 --> 00:58:11,445 No. 652 00:58:11,654 --> 00:58:15,112 But now was the first time wespent a long time together. 653 00:58:17,627 --> 00:58:20,619 -My friend, I'mazoologist... -I know that. 654 00:58:20,797 --> 00:58:22,822 Azoologist's life is a very jealous thing. 655 00:58:23,032 --> 00:58:25,262 I have very little time out of my laboratory. 656 00:58:36,479 --> 00:58:41,178 He didn't change the lyrics and practically didn't change the melody. 657 00:58:41,818 --> 00:58:44,810 He changed the repartitions And it became a whole other samba. 658 00:58:45,722 --> 00:58:48,748 He is one of the most contributor my partners... 659 00:58:48,958 --> 00:58:54,692 because the way he changed the music's structure, he made another samba. 660 00:58:54,931 --> 00:58:58,094 I didn't like too much before, but know I like it a lot. 661 00:59:12,282 --> 00:59:15,251 I don't know if my partner liked it. 662 00:59:17,353 --> 00:59:19,344 We did it, could it be bad? 663 00:59:38,575 --> 00:59:41,411 DANCING IN THE RAIN When the end comes 664 00:59:41,411 --> 00:59:43,504 But the end doesn't come 665 00:59:43,680 --> 00:59:48,583 You wanted to see me like this But there is no such thing 666 00:59:48,818 --> 00:59:53,187 Would you cry for me? Don't cry, my dear 667 00:59:53,389 --> 00:59:58,554 In the place where I was Right at the time when I was 668 00:59:58,895 --> 01:00:02,695 See that there's nobody there 669 01:00:03,466 --> 01:00:07,800 You ate all the meat And kicked the bone 670 01:00:08,304 --> 01:00:12,741 You drank all the water And spit in the well 671 01:00:12,942 --> 01:00:17,970 Made fun of my verses Said it was lame and dull 672 01:00:18,181 --> 01:00:26,316 With a lot of stinginess And is proud of your role 673 01:00:26,489 --> 01:00:36,387 You danced laughing in the rain But will not dry the sky 674 01:00:37,800 --> 01:00:47,232 You danced laughing in the rain But will not dry the sky 675 01:01:09,332 --> 01:01:13,029 He really understands it. These people from Rio, they really understand it. 676 01:01:13,302 --> 01:01:16,931 When I first met the old samba players from Rio... 677 01:01:17,206 --> 01:01:20,733 Carlos Cachaça, Nelson Sargento, Zé Kéti... 678 01:01:21,077 --> 01:01:23,443 I was amazed with what they knew. 679 01:01:23,646 --> 01:01:27,480 They are victims of the musical mafia, Because they don't have... 680 01:01:27,617 --> 01:01:29,608 the opportunity to show their talent. 681 01:01:29,786 --> 01:01:32,550 Their music was always constructed the way that a producer... 682 01:01:32,722 --> 01:01:34,485 thought it should be, and not the way that they made it. 683 01:01:34,691 --> 01:01:37,524 They never could show the talent and knowledge that they had. 684 01:01:37,760 --> 01:01:40,388 I know because I walked with Zé Kéti, singing on thestreets... 685 01:01:41,297 --> 01:01:44,061 and also with Nelson Sargento... 686 01:01:44,233 --> 01:01:46,963 what came out in recordings has nothing to do... 687 01:01:47,136 --> 01:01:48,763 with what was in their heads. 688 01:01:57,914 --> 01:02:00,405 JUDGMENT DAY In the last day of my life 689 01:02:01,317 --> 01:02:03,842 I met with my sins 690 01:02:05,088 --> 01:02:10,924 Some bigger, some smaller But in general, quite heavy 691 01:02:12,528 --> 01:02:17,192 In the other hand Only the ingratitude that I suffered 692 01:02:18,401 --> 01:02:22,997 The angel measured in ascale And wearing white I went up 693 01:02:24,841 --> 01:02:30,404 Now I only play the harp In a gown and with sandals 694 01:02:31,414 --> 01:02:36,511 I spy downstairs to see The furnace gang 695 01:02:37,920 --> 01:02:43,324 That ungrateful is now Working as asausage 696 01:02:43,893 --> 01:02:48,387 Poked with a fork With Satan frying the leech 697 01:02:48,631 --> 01:02:50,599 Hey, Demon! Do your best! 698 01:02:51,667 --> 01:02:57,902 In the last day of my life I met with my sins 699 01:02:58,908 --> 01:03:05,040 Some bigger, some smaller But in general, quite heavy 700 01:03:06,215 --> 01:03:11,778 In the other hand Only the ingratitude that I suffered 701 01:03:13,189 --> 01:03:18,126 The angel measured in ascale And wearing white I went up 702 01:03:20,096 --> 01:03:25,659 Now I only play the harp In a gown and with sandals 703 01:03:26,936 --> 01:03:32,499 I spy downstairs to see The furnace gang 704 01:03:33,943 --> 01:03:39,506 That ungrateful is now Working as asausage 705 01:03:40,483 --> 01:03:45,716 Poked with a fork With Satan frying the leech 706 01:03:45,988 --> 01:03:47,956 Hey, Demon! Do your best! 707 01:03:51,661 --> 01:03:53,629 I feel great! 708 01:03:54,931 --> 01:03:56,990 I felt great! 709 01:03:57,366 --> 01:04:00,961 He is the guy with less rhythm that you can ever know. 710 01:04:01,370 --> 01:04:03,702 I still don't know how he makes his music. 711 01:04:03,906 --> 01:04:05,771 That's true... 712 01:04:06,242 --> 01:04:10,611 -It was Adauto's who fixed the rhythm... -And musicians say... 713 01:04:10,813 --> 01:04:15,443 -And he doesn't want it to change. - And musicians say that Adauto used to say: 714 01:04:15,685 --> 01:04:17,846 ''So, Paulo, isn't it like this that you want it to be?'' 715 01:04:18,020 --> 01:04:20,386 And so, Paulo said: ''But, it's just like the way I just sung it!'' 716 01:04:20,756 --> 01:04:22,587 ''That's how it should be.'' 717 01:04:29,765 --> 01:04:34,065 I'ma great fan of Waldir de Azevedo and Chorinho in general. 718 01:04:34,370 --> 01:04:38,466 Jacob, do 'tambourine', like Ana likes to call him... 719 01:04:38,774 --> 01:04:43,711 was a great friend of mine, hisson Serginho as well... 720 01:04:43,946 --> 01:04:48,406 and I always had a craving to write the lyrics for a chorinho. 721 01:04:48,618 --> 01:04:52,952 To write lyrics for Chorinho is very hard because you have no freedomat all. 722 01:04:53,522 --> 01:04:55,786 You areslave to the pick... 723 01:04:56,125 --> 01:04:59,925 You have to get all the accents right... 724 01:05:00,129 --> 01:05:02,825 If you take ''Pedacinho de céu'' you'll see... 725 01:05:03,099 --> 01:05:05,431 how everything is directed by the pick. 726 01:05:05,668 --> 01:05:07,602 That's why I took twenty-five years to make it. 727 01:05:07,770 --> 01:05:10,204 But it's mostly because I didn't learn the melody from the end. 728 01:05:12,942 --> 01:05:15,308 In your lips two honeycombs 729 01:05:15,611 --> 01:05:19,411 And your eyes Are little pieces of the sky 730 01:05:20,016 --> 01:05:23,315 With a glance so sweet That only by looking 731 01:05:23,552 --> 01:05:27,181 I get the impression 732 01:05:29,659 --> 01:05:37,430 Of seeing an angel Flying in the immense 733 01:05:37,700 --> 01:05:45,573 But you pass on the street And looks back 734 01:05:46,575 --> 01:05:54,607 And my heart doesn't know what to do 735 01:05:55,284 --> 01:05:58,879 Because it sees In this starting promise 736 01:05:58,955 --> 01:06:01,446 LITTLE PIECES OF THE SKY A glance a bit indecisive 737 01:06:01,624 --> 01:06:05,287 That opens into asmile 738 01:06:05,695 --> 01:06:12,123 Not little pieces of the sky But little pieces of paradise 739 01:06:14,303 --> 01:06:16,100 Now, thesecond part... 740 01:06:16,272 --> 01:06:18,433 it's not ''In your lips...'', it's ''You have in your lips...'' 741 01:06:18,641 --> 01:06:20,666 -''You have...'' -Yes, but the first it isn't... 742 01:06:21,777 --> 01:06:25,372 And in a banal, trivial day 743 01:06:25,681 --> 01:06:30,744 Find out in asecond, comprehend 744 01:06:31,454 --> 01:06:37,757 That it is something normal, natural That angels come to the world to bring 745 01:06:38,194 --> 01:06:43,632 A calm and blue promise Light love with no hurry 746 01:06:43,833 --> 01:06:47,496 That dares in quick watch In clear veil 747 01:06:47,737 --> 01:06:53,642 Serene light, not perceived That solves all life 748 01:06:53,976 --> 01:07:00,472 In little pieces of the sky 749 01:07:01,584 --> 01:07:06,453 The best birthday present I ever had in my life! Thank you very much. 750 01:07:13,829 --> 01:07:15,956 The president, in this time it wasn't governor... 751 01:07:16,132 --> 01:07:17,997 the president of the State of Paraíba... 752 01:07:18,200 --> 01:07:20,725 was Ariano Suassuna's father, João Suassuna. 753 01:07:20,903 --> 01:07:22,837 It was in the city of Piancó... 754 01:07:23,039 --> 01:07:25,405 where they called this black man, Zé Limeira, to perform. 755 01:07:25,908 --> 01:07:29,537 Zé Limeira was afunny looking figure, Because he was almost 6.5 feet tall... 756 01:07:29,979 --> 01:07:34,780 with a red handkerchief around his neck, a knapsack, astick... 757 01:07:34,984 --> 01:07:36,849 and he didn't take the bus, thestreetcar, train, nothing. 758 01:07:37,086 --> 01:07:39,384 He went there walking. So it was like: 759 01:07:39,622 --> 01:07:41,920 -''Zé, you're playing over there...'' -''I'll get there in three days.'' 760 01:07:42,491 --> 01:07:44,083 ''I'll get there in four days.'' 761 01:07:44,326 --> 01:07:49,195 His opening is beautiful: 762 01:07:49,432 --> 01:07:52,595 My name is Zé Limeira Apoet with jealousy 763 01:07:52,835 --> 01:07:55,827 A breeze that blows fast A beast that comes from the peak 764 01:07:56,105 --> 01:07:57,663 Fighting only with a big knife 765 01:07:57,840 --> 01:08:00,308 Asingle woman's piss A one cut knife 766 01:08:02,711 --> 01:08:07,341 So they took him to sing at Piancó's town hall, and the governor was there. 767 01:08:07,516 --> 01:08:11,782 Zé was singing and the women were talking. 768 01:08:11,954 --> 01:08:17,187 So asked Ariano's mother: ''My lady, give me a lineso I can start.'' 769 01:08:17,426 --> 01:08:21,123 And she gave him Casimiro de Abreu's: ''The years have no return...'' 770 01:08:21,330 --> 01:08:27,792 Now, his maliciousness was that he was speaking to the governor's wife. 771 01:08:28,370 --> 01:08:30,861 Old Tomé de Souza, Bahia's governor 772 01:08:31,040 --> 01:08:33,736 Got married And the same day screwed his wife 773 01:08:34,210 --> 01:08:37,043 And did it like a fox Screwed in the front and in the back 774 01:08:37,213 --> 01:08:39,681 Later went to the docks Where the ships traffic 775 01:08:39,815 --> 01:08:42,978 And screwed 'Padre Nobrega' The time, my lady, has no return 776 01:08:45,354 --> 01:08:47,584 Arnaldo Horta, was a great friend of mine. 777 01:08:47,790 --> 01:08:49,781 He told me, when Carybé came to São Paulo... 778 01:08:49,959 --> 01:08:53,622 Who brought Capoeira to São Paulo? I'd never heard of Capoeira in my life. 779 01:08:53,829 --> 01:08:55,694 And Carybé... 780 01:08:56,098 --> 01:08:59,465 I'll tell Carybé'sstory in New York later... 781 01:08:59,668 --> 01:09:02,899 Arnaldo Horta came to me and said: ''Come on!'' 782 01:09:03,105 --> 01:09:05,767 ''This foreigner comes here full of Capoeira, and you never made one!'' 783 01:09:06,008 --> 01:09:08,272 And I said: ''Tomorrow I'll bring you one.'' 784 01:09:08,444 --> 01:09:10,173 I made it over night and brought the next day. 785 01:09:25,661 --> 01:09:29,028 Walking on thestreet once, I saw the ''Macambiras''. 786 01:09:29,331 --> 01:09:35,270 And the ''Macambiras'' are really good. And I know their land. 787 01:09:35,437 --> 01:09:40,465 I love Crato, and behind Crato, there is a bank called ''Batateira''. 788 01:09:41,210 --> 01:09:43,474 Which is the land of the ''Macambiras''. 789 01:09:43,646 --> 01:09:46,206 The ''Macambiras are all brothers, cousins and nephews. 790 01:09:46,782 --> 01:09:48,750 And there was afamousstory at the ''Batateira''... 791 01:09:48,951 --> 01:09:51,317 that when an outsider came there, people bet on which side he would fall... 792 01:09:51,487 --> 01:09:54,149 right or left. And there was those boring people that fell to his front... 793 01:09:54,323 --> 01:09:58,555 tying the bet and making them wait some other foreigner to untie the bet. 794 01:09:59,128 --> 01:10:06,728 João Lima is, without a doubt, a musical genius. Like few. 795 01:10:32,561 --> 01:10:41,526 When I came from my land Passed swimming through the flood 796 01:10:42,838 --> 01:10:47,969 I got cold, I got hungry I stayed ten days crying 797 01:10:48,310 --> 01:10:53,043 To know that from your life I was forever leaving 798 01:10:53,382 --> 01:10:58,342 In the steps of this Calvary There was nobody helping me 799 01:10:58,554 --> 01:11:03,787 I was like a bird Lost from it's flock 800 01:11:04,293 --> 01:11:09,253 Let's go away Let's go away, fellow 801 01:11:09,465 --> 01:11:14,493 Over this huge world Over this huge world, my friend 802 01:11:16,305 --> 01:11:24,178 When I came from my land Look at what I left behind 803 01:11:25,281 --> 01:11:30,514 Five brides with no husbands Seven kids with no father 804 01:11:30,719 --> 01:11:35,122 Twelve saints with no miracle Fifteen sighs with no air 805 01:11:35,591 --> 01:11:40,460 Thirty happy husbands Asking me: ''Leaving already?'' 806 01:11:40,763 --> 01:11:46,099 And the priest telling the devouts A miracle takes long, but happens 807 01:11:46,669 --> 01:11:51,470 Let's go away Let's go away, my fellow 808 01:11:51,674 --> 01:11:56,577 Over this huge world Over this huge world, fellow 809 01:11:58,947 --> 01:12:07,582 When I came from my land I didn't know what grief was 810 01:12:07,856 --> 01:12:12,691 Wisdom of astupid old man Courage of a young tiger 811 01:12:12,895 --> 01:12:17,832 Prayer to protect the body worn around my neck 812 01:12:18,000 --> 01:12:22,528 A Winchester rifle Big knife with a bone handle 813 01:12:23,105 --> 01:12:28,099 Medal of ''Padre Ciço'' And Rosary of seeds 814 01:12:28,277 --> 01:12:33,214 To make smooth thin hair To shiver thick hair 815 01:12:33,415 --> 01:12:38,409 That I left my land With no worry, fright or grief 816 01:12:39,054 --> 01:12:44,014 Let's go away Let's go away, my fellow 817 01:12:44,193 --> 01:12:49,392 Over this huge world Over this huge world, my fellow 818 01:12:50,699 --> 01:12:59,038 When I came from my land I made a lot of mess 819 01:12:59,408 --> 01:13:03,936 Where ever I passed The road got empty 820 01:13:04,113 --> 01:13:09,210 People coming, went back Peolpe going, didn't go 821 01:13:09,885 --> 01:13:14,584 Who had an urgent matter Left it to the following day 822 01:13:14,823 --> 01:13:19,726 The priest abandoned the mass The jaguar abandoned it's breed 823 01:13:20,062 --> 01:13:24,726 Fathers of young ladies Changed neighborhood 824 01:13:25,200 --> 01:13:30,160 But they had to make an effort Because the ladies didn't want to 825 01:13:30,906 --> 01:13:35,707 Let's go away Let's go away, my fellow 826 01:13:35,978 --> 01:13:41,382 Over this huge world Over this huge world, my fellow 827 01:13:42,718 --> 01:13:51,854 I left my land For having a voyager's fate 828 01:13:52,494 --> 01:13:57,227 In two months of my journey I lived an entire life 829 01:13:57,433 --> 01:14:02,530 Got out angry, came back calm Macho, the same way 830 01:14:02,771 --> 01:14:07,538 The road was a good master Gave me a true lesson 831 01:14:07,843 --> 01:14:12,746 The courage is not in the yell Nor is richness in the pocket 832 01:14:12,981 --> 01:14:21,946 And the sins of Sunday Are paid by Monday 833 01:14:22,291 --> 01:14:27,058 Let's go away Let's go away, my fellow 834 01:14:27,229 --> 01:14:31,859 Over this huge world Over this huge world, my fellow 835 01:14:54,756 --> 01:14:58,692 He said two things. One was that in ''Boca da Noite''... 836 01:14:58,894 --> 01:15:00,725 there is a verse that goes like this: 837 01:15:00,929 --> 01:15:03,830 People of our kind Don't ask for vows nor make them 838 01:15:04,066 --> 01:15:06,796 Love and go, and don't show Their war and their peace 839 01:15:07,002 --> 01:15:09,527 When the rooster called me up I left without looking back 840 01:15:09,738 --> 01:15:12,036 Because I knew, brunette If I looked back, I wouldn't be able 841 01:15:12,241 --> 01:15:13,868 To get out of there ever again 842 01:15:14,076 --> 01:15:15,304 So it's like this: 843 01:15:15,511 --> 01:15:17,138 People of our kind don't ask for vows nor make them... 844 01:15:17,346 --> 01:15:20,076 Love and go, and don't show, or don't 'reveal'? 845 01:15:20,482 --> 01:15:23,815 Because 'show' is deaf and then come 'war', which is open. 846 01:15:24,286 --> 01:15:27,016 So the doubt was weather have one deaf and one open... 847 01:15:27,222 --> 01:15:29,884 or 'reveal' and 'war' which are two open ones. 848 01:15:30,092 --> 01:15:33,186 I stayed six months with this doubt and then I decided on 'show'. 849 01:15:33,962 --> 01:15:36,089 He has a thing with words. He goes like: 850 01:15:36,298 --> 01:15:39,756 ''I'm doing ascientificstudy here and I have four dictionaries''. 851 01:15:42,204 --> 01:15:45,641 EVENING I arrived in the evening 852 01:15:45,641 --> 01:15:47,905 EVENING Left at dawn 853 01:15:48,677 --> 01:15:55,708 I didn't say I would stay And you didn't ask anything 854 01:15:56,652 --> 01:16:04,081 When I was leaving You slept so relaxed 855 01:16:04,760 --> 01:16:11,359 Breathing so soft It didn't even seem, brunette 856 01:16:11,533 --> 01:16:15,469 That the pillowcase was wet 857 01:16:16,104 --> 01:16:23,135 I saw a face in the window Stopped in the middle of the road 858 01:16:23,345 --> 01:16:30,114 I arrived in the evening Left at dawn 859 01:16:30,919 --> 01:16:37,552 I arrived in the evening Left at dawn 860 01:16:38,694 --> 01:16:45,623 People of our kind Don't ask for vows nor make them 861 01:16:45,901 --> 01:16:52,602 Love and go, and don't show Their war and their peace 862 01:16:53,675 --> 01:17:01,104 When the rooster called me up I left without looking back 863 01:17:01,717 --> 01:17:08,486 Because I knew, brunette If I looked back, I wouldn't be able 864 01:17:08,657 --> 01:17:12,559 To get out of there ever again 865 01:17:12,961 --> 01:17:20,060 I saw a face in the window Stopped in the middle of the road 866 01:17:20,402 --> 01:17:27,137 I arrived in the evening Left at dawn 867 01:17:27,576 --> 01:17:35,540 I arrived in the evening Left at dawn 868 01:17:35,884 --> 01:17:43,086 The wind goes wherever it wants The water flows to the sea 869 01:17:43,258 --> 01:17:50,187 A high cloud in the hand of a wind Is the way for the water to return 870 01:17:50,799 --> 01:17:57,830 Brunette If one day the storm gets you 871 01:17:59,141 --> 01:18:02,008 Don't run away from the winds 872 01:18:02,210 --> 01:18:09,275 For the rain that spins around Is me, holding you in my arms 873 01:18:09,851 --> 01:18:17,189 I saw a face in the window Stopped in the middle of the road 874 01:18:17,392 --> 01:18:23,888 I arrived in the evening Left at dawn 875 01:18:24,666 --> 01:18:31,936 I arrived in the evening Left at dawn 876 01:18:32,574 --> 01:18:46,944 I arrived in the evening Left at dawn 877 01:19:08,043 --> 01:19:11,171 He wrote ''Praça Clóvis'', ''Ronda'', ''Boca da Noite''... 878 01:19:11,980 --> 01:19:15,245 ''Volta por cima''. Back at home the fight is all about ''Volta por Cima''... 879 01:19:15,484 --> 01:19:18,112 because my wife hits me and says: ''Get back up''... 880 01:19:18,353 --> 01:19:20,651 and I hit her and she gets back up. 881 01:19:21,323 --> 01:19:23,814 That's how it is. ''Volta por cima'' is great. 882 01:19:23,992 --> 01:19:27,291 She hits me, I get up. I hit her, she gets up... 883 01:19:37,606 --> 01:19:43,545 I cried I didn't try to hide it 884 01:19:43,912 --> 01:19:50,112 Everybody saw it Pretended to be sorry for me 885 01:19:50,352 --> 01:19:53,150 It wasn't necessary 886 01:19:53,355 --> 01:19:58,349 Where I cried Anyone would cry 887 01:19:58,660 --> 01:20:03,063 Get over it the way I did I want to see could 888 01:20:03,932 --> 01:20:10,428 I cried I didn't try to hide it 889 01:20:10,772 --> 01:20:17,007 Everybody saw it Pretended to be sorry for me 890 01:20:17,212 --> 01:20:20,079 It wasn't necessary 891 01:20:20,248 --> 01:20:25,242 Where I cried Anyone would cry 892 01:20:25,453 --> 01:20:30,015 Get over it the way I did I want to see could 893 01:20:30,892 --> 01:20:36,057 A man of morale Doesn't stay on the ground 894 01:20:36,331 --> 01:20:40,961 Doesn't want a woman To reach her hand 895 01:20:41,169 --> 01:20:45,902 He admits the fall And isn't discouraged 896 01:20:46,875 --> 01:20:51,369 Gets up, cleans the mess And gets over it 897 01:20:51,580 --> 01:20:56,677 He admits the fall And isn't discouraged 898 01:20:57,419 --> 01:21:02,379 Gets up, cleans the mess And gets over it 899 01:21:29,618 --> 01:21:34,749 A man of morale Doesn't stay on the ground 900 01:21:34,956 --> 01:21:39,393 Doesn't want a woman To reach her hand 901 01:21:39,594 --> 01:21:44,691 He admits the fall And isn't discouraged 902 01:21:45,200 --> 01:21:49,933 Gets up, cleans the mess And gets over it 903 01:21:50,372 --> 01:21:55,173 He admits the fall And isn't discouraged 904 01:21:55,543 --> 01:22:00,003 Gets up, cleans the mess And gets over it 905 01:22:01,116 --> 01:22:06,019 You see, everybody in ''Volta por cima'' pays attention to ''Get over it''. 906 01:22:06,755 --> 01:22:09,553 But there'ssomething else that to me is way more important, which is: 907 01:22:09,724 --> 01:22:11,487 ''Admits the fall''.